Publications   Articles on music (selection)  

    ‘Foreword,’ in North Indian Music: Hariprasad Chaurasia and the Art of Improvisation by Henri Tournier, Paris: Accords-Croisés, 2010: 7.

‘Foreword,’ in Jan L. Hartong, Musical Terms Worldwide: A Companion for the Musical Explorer, ed. Simon Mills, Peter van Amstel and Aleksandra Marković, Rome and Den Haag: Semar and Codarts, 2006: xiij-xiv.

‘Is Instrumental Alap the Source of Improvisation in Hindustani Music?,’ in Seminar on Improvisation in Music, ITC-Sangeet Research Academy, Mumbai, 2006: 48-60.

‘Three Important Essays on Hindustani Music,’ Journal of the Indian Musicological Society 36-37, 2006: 5-14.

‘The Sarangi: Its Rise and Fall,’ in Seminar on Continuity and Change: Indian Music, ITC-Sangeet Research Academy, Mumbai, 2004: 114-18; rpt. in The Saurangi Festival, New Delhi: Saurang Parampara and Red Earth, May 2005: n.p. [add pdf later]

‘Changing Indian Instruments,’ in Seminar on Research: A Focus on Musical Forms, ITC-Sangeet Research Academy, Mumbai, 2003: 27-34.

‘Keynote Address: Modern Research in North Indian Music, A Brief Overview,’ in Workshops on Research, Archives & Musicians’ Rights, ITC-Sangeet Research Academy, Mumbai, 2002: 8-14.

‘What is a Raga?/Was ist ein Raga?,’ in Musica Sacra International, Marktoberdorf: Bayerische Musikakademie, 2000: 76-92.

‘Gurus and Teachers,’ in Seminar on Teaching of Indian Music, ITC-Sangeet Research Academy, Mumbai, 1998: 25-32.

‘Indian Music and the West,’ in Seminar on Indian Music & the West,ITC-Sangeet Research Academy, Mumbai, 1996: 1-17.

‘Keynote Address,’ in Seminar on Tradition & Change, ITC-Sangeet Research Academy, Bombay, 1995: 58-61
‘Etnomusigologiaa Vai Maailmanmusiikkia?,’ Musiikin Suunta 1995 (1): 17-26.

‘Keynote Address,’ in Seminar on Sarangi, ITC-Sangeet Research Academy, Bombay 1994: 17-22.

‘The Sarangi,’ The India Magazine 10, September 1990: 54-62.

‘International Society for Traditional Arts Research (ISTAR), Nederland,’ The World of Music 31 (1), 1989: 117-19 (with Jane Harvey and Huib Schippers).

‘The Rise of Ethnomusicology: Sources on Indian Music c.1780 - c.1890,’ Yearbook for Traditional Music 20, 1988: 51-73. [add link to pdf]

‘NCPA/ISTAR Research Collaboration,’ National Centre for the Performing Arts Quarterly Journal 14 (1), 1985: 45-53 (with Bernard Bel).

‘On Measuring Notes: A Response to N.A. Jairazbhoy,’ ISTAR Newsletter 3-4, 1985: 46-51 (with W.J. Arnold and Wim van der Meer). [link]

‘Notating Hindustani Music: Giving Importance to Note Treatment,’ ISTAR Newsletter 3-4, 1985: 29-42 (with W.J. Arnold and I. Mott). [link]

‘Memories of an Old Sarangi Player,’ ISTAR Newsletter 3-4, 1985: 5-8. [link]

‘Raga Sketches,’ ISTAR Newsletter 2, 1984: 21-23. [link]

‘My Name is Gauhar Jan,’ ISTAR Newsletter 2, 1984: 4-6.[link]

‘Raga, Species and Evolution,’ Sangeet Natak: Journal of the Sangeet Natak Akademi 35, 1975: 17-48.